Legal Panel
1.06, 13.00 – 14.30 POTOCKI PALACE – PP 1
REMUNERATION MODELS FOR FILM CREATORS – SCRIPT WRITER, DIRECTOR, MUSIC COMPOSER
access with passes: Industry, Industry Pro, Industry Light, Media, Student
For what exactly and how much should filmmakers be paid? Are there any differences between the remuneration model for filmmakers and other creators? Are there any differences between the remuneration model for the author of the literary source material, screenwriter, director and music composer? Should the producer guarantee the right to royalties in the contract? What rights does a producer acquire and does this affect remuneration? Is being a co-producer better than just a co-creator? Should a co-creator leave some of the rights to himself?
These and other questions regarding the remuneration models will be answered by Marcin Lassota and Wojciech Krawiec – partners of LASSOTA KRAWIEC law firm.
Marcin Lassota, LL.M. Advocate specializing in film aw, copyright and litigations; associate in Lassota Krawiec Law Firm; member of the Krakow Film Klaster, professional mediator and arbitrator of the Arbitration Court of the Audio-visual Market (SARA) of the Polish Producers Alliance (KIPA). He lectures students in the field of film law and conducts numerous training courses on copyright. He has strong links with the audiovisual market and creative industry; he collaborates with filmmakers and film producers.
Wojciech Krawiec – lawyer, trainer, specialist in the field of personal data protection, partner in the law firm Lassota Krawiec sp. j., specializes in copyright law, commercial law, new technologies law and personal data protection. Associated with the new technologies and creative industries. He conducts classes in the field of economic law and IT at the AGH University of Science and Technology in Krakow, as well as trainings in copyright and personal data protection, he conducted legal panels at film festivals. He advises and supports both private and public sector entities, including cultural institutions.
